Michelangelo Cerquozzi (Attributed) – St Martin and the Beggar
17th century probably. 25×20
Location: National Museum (Nationalmuseum), Stockholm.
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In the foreground, a figure appears to be approaching the mounted man. This individual is depicted with considerably less detail; his body is emaciated, his clothing ragged and earth-toned. He extends his hand towards the rider, seemingly in supplication or request. The contrast between the richly adorned rider and the impoverished beggar is stark, immediately establishing a dynamic of power and need.
The artist’s use of light contributes significantly to the narrative. A concentrated illumination falls upon the figures, highlighting their forms against the enveloping darkness. This selective lighting draws attention to the interaction between them, emphasizing the vulnerability of the beggar and the perceived generosity or at least engagement of the rider. The limited palette – primarily blues, reds, browns, and greys – reinforces a sense of solemnity and perhaps even austerity.
Beyond the immediate depiction of an encounter, subtexts relating to charity, social hierarchy, and divine intervention are likely intended. The gesture of the rider could be interpreted as an act of compassion or a demonstration of power; the beggar’s outstretched hand signifies need and dependence. The horse, often symbolic of nobility or strength, further underscores this disparity. The darkness surrounding the scene suggests a broader context of hardship and suffering, implying that this interaction is not isolated but part of a larger societal reality. The overall effect is one of poignant observation on human condition and the complexities of generosity and need.