Pehr Hilleström (Attributed) – Ulrika Eleonora von Fersen (1749-1810), G. 1 von Höpken 2. von Wright
Location: National Museum (Nationalmuseum), Stockholm.
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The woman’s attire immediately establishes her social standing. Her gown, predominantly gold with intricate blue and white detailing at the hem, speaks to wealth and refinement. The elaborate coiffure, piled high and adorned, further reinforces this impression of aristocratic status. She holds a small basket in one hand, raised as if offering or presenting something, while her other arm is extended outward, suggesting a gesture of greeting or perhaps even a playful dance movement. Her expression appears animated, though difficult to discern precisely due to the brushwork style; it conveys a sense of lightness and engagement.
The framing device – a dark, arched structure – is significant. It isolates the figure, emphasizing her as the focal point while simultaneously creating a feeling of enclosure or performance. The darkness surrounding the scene draws attention to the illuminated woman, intensifying the theatrical quality of the presentation.
Subtleties in the painting suggest layers of meaning beyond a simple portrait. The gesture with the basket could be interpreted as symbolic – perhaps representing generosity, hospitality, or even a playful offering of affection. The staged setting and dynamic pose imply that this is not merely a likeness but an idealized representation of character and social grace. Theres a deliberate artificiality to the scene; it’s less about capturing reality and more about constructing an image of elegance and charm designed for display. The overall effect is one of carefully orchestrated spectacle, hinting at a world of courtly rituals and refined manners.