Selfportrait * Pehr Hilleström (1732-1816)

The portrait presents a man in a three-quarter view, positioned against a dark, nearly black background that emphasizes his form and face. He is depicted from the chest upwards, with his gaze directed towards the viewer, establishing a direct connection. The lighting is focused on his face and upper torso, creating highlights that accentuate the texture of his skin and the volume of his features.
The man’s attire suggests a personage of some standing; he wears a coat with wide lapels over a waistcoat adorned with a patterned cravat. His hair is styled in an elaborate powdered wig, characteristic of the period. He holds a paintbrush in one hand and what appears to be a measuring tool – likely a compass or set square – in the other. These objects are positioned near a canvas partially visible behind him, hinting at his profession as an artist.
The expression on his face is complex. There’s a hint of melancholy or introspection present, conveyed through slightly downturned corners of the mouth and a thoughtful gaze. The eyes possess a certain intensity that suggests both intelligence and perhaps a degree of weariness. A subtle asymmetry in the facial features contributes to this nuanced portrayal, moving beyond a purely idealized representation.
The dark background serves not only as contrast but also creates a sense of isolation or contemplation. It directs attention entirely towards the subject, allowing for an intimate examination of his character. The limited palette – dominated by muted grays and browns with touches of white – reinforces this atmosphere of quiet introspection.
Subtly, the inclusion of the artistic tools suggests not only his profession but also a self-awareness about the act of creation itself. He is presenting himself as both artist and subject, blurring the lines between observer and observed. The overall effect is one of dignified reserve combined with an underlying sense of personal reflection.