Candahar: The 92nd Highlanders and the 2nd Gurkhas Storming Gaudi Mullah Sahibdad Richard Caton II Woodville (1856-1927)

The composition presents a chaotic scene of armed conflict unfolding within a fortified settlement. A substantial mud-brick structure dominates the background, its walls punctuated by embrasures from which figures are visible, presumably defenders. The landscape beyond is rugged and mountainous, suggesting a remote and challenging terrain.
Here we see two distinct groups engaged in violent confrontation. To the left, soldiers clad in light khaki uniforms advance with bayonets fixed, their posture conveying determination amidst the turmoil. Their attire suggests a European military force. Intermingled with them are figures in traditional highland dress – kilts and sporrans – indicating a specific regiment within that larger group. On the right, individuals dressed in darker clothing appear to be resisting the assault; they are positioned near what seems to be a makeshift barricade constructed from earth and debris. Several bodies lie scattered across the foreground, casualties of the engagement, adding a stark element of realism and brutality to the depiction. A figure wearing a red cross is visible near the left edge, hinting at medical assistance amidst the fighting.
The artist’s use of light and shadow contributes significantly to the dramatic effect. Intense sunlight illuminates the central action, highlighting the figures in motion while casting deep shadows across the foreground and within the fortress walls. This contrast emphasizes the intensity of the battle and creates a sense of depth. The color palette is dominated by earthy tones – ochres, browns, and tans – reflecting the arid environment and the dusty conditions of warfare.
Subtexts embedded within this work appear to explore themes of colonial power and its consequences. The depiction of European soldiers in relatively clean uniforms contrasted with the defenders’ more rudimentary defenses suggests a disparity in resources and technological advantage. The inclusion of figures in highland dress, seemingly integrated into the attacking force, may allude to the complex dynamics of imperial recruitment and allegiance. The presence of casualties on both sides underscores the human cost of conflict, while the overall composition conveys a sense of relentless advance and inevitable victory for the attacking forces – a common narrative within depictions of colonial military campaigns. The scene’s scale and detail suggest an attempt to memorialize or legitimize a specific historical event, potentially serving as propaganda intended to reinforce notions of imperial dominance.