Lake Como Landing Howard Behrens

The composition presents a coastal scene dominated by architectural structures and water. Here we observe a cluster of buildings rising from the shoreline, their terracotta roofs and ochre walls catching the light in a manner that suggests late afternoon or early evening. The architecture appears traditional, with arched doorways and windows hinting at a history rooted in local customs and building practices. A central tower punctuates the skyline, its dome suggesting a religious function, though it is partially obscured by foliage.
The water occupies a significant portion of the canvas, reflecting the colors of the sky and buildings above. Several small boats are moored near the shore, their blue-grey hulls contrasting with the warm tones of the architecture. The surface of the water is rendered with visible brushstrokes, creating a sense of movement and shimmering light.
The artist employed a thick impasto technique throughout the painting, giving the surfaces a tactile quality. This application of paint enhances the vibrancy of the colors and contributes to an overall feeling of warmth and luminosity. The vegetation – dense evergreens and flowering vines – is rendered with broad strokes, adding depth and texture to the scene.
Subtly, the work conveys a sense of tranquility and idyllic beauty. The arrangement of buildings suggests a close-knit community, while the boats imply a connection to the water and perhaps a history of fishing or trade. The light, though warm, is not harsh; it creates an atmosphere of peaceful repose. Theres a suggestion of human presence without explicitly depicting individuals – the scene feels lived in, but undisturbed. The composition’s balance between architecture and nature implies a harmonious relationship between humanity and the environment.