Lelienbergh, Cornelis – Stilleven met papegaai en snippen, 1655 Rijksmuseum: part 2

The composition presents a still life arrangement centered around avian subjects, rendered with meticulous attention to detail and a somber palette. A large bird, suspended by a rope from above, dominates the visual field. Its plumage is predominantly dark grey and black, punctuated by a vibrant splash of red feathers near its head. The artist has captured the texture of the feathers with remarkable realism, conveying both their softness and density.

Below this central figure lie two smaller birds, seemingly snipe or similar game fowl, arranged on a stone ledge. Their bodies are positioned in a disordered manner, suggesting recent mortality. A scattering of what appears to be shells or fragments lies near them, adding to the sense of disarray. The surface upon which these objects rest is rendered with a rough texture, contrasting with the smooth sheen of the birds’ feathers.

The lighting within the scene is subdued and directional, casting shadows that enhance the three-dimensionality of the forms. A muted background contributes to the overall feeling of stillness and quietude. The artists use of chiaroscuro – the interplay of light and dark – draws attention to the textures and details of each element.

Beyond a straightforward depiction of hunted birds, the painting carries potential symbolic weight. The presence of dead game often served as memento mori, reminders of mortality and the transience of life. The careful arrangement and rendering suggest not only skill but also a contemplation on themes of nature, death, and perhaps even human interaction with the natural world. The vibrant red feather against the dark plumage could be interpreted as a symbol of vitality or beauty amidst decay. The overall effect is one of quiet melancholy and understated elegance.