Willeboirts Bosschaert, Thomas – De verheerlijking van Maria, 1623-1654 Rijksmuseum: part 2

The composition presents a central female figure, crowned with flowers, holding a child in her arms. She is enveloped within a swirling cloudscape, illuminated by a golden light emanating from behind. Two figures, presumably angels, flank the main subject; one gestures upwards while the other appears to be in an attitude of reverence or supplication.
The woman’s expression is serene and somewhat distant, suggesting a contemplative state rather than overt joy. The child she holds displays a playful, almost mischievous demeanor, contrasting with her mothers solemnity. His pose – reaching towards the viewer – creates a sense of immediacy and engagement that draws attention away from the central figure’s more reserved countenance.
The artist employed a limited palette dominated by warm tones: golds, reds, and creams. The use of light is particularly noteworthy; it doesn’t simply illuminate but seems to imbue the scene with an ethereal quality. The clouds are rendered in a loose, painterly style, contributing to the overall sense of otherworldliness.
The floral crown worn by the woman likely symbolizes purity and virtue, common attributes associated with figures of religious significance. The presence of angels reinforces this interpretation, suggesting divine intervention or blessing. The gesture of the angel on the left – raising a hand towards the heavens – further emphasizes this spiritual dimension.
Subtly embedded within the swirling clouds are small objects: what appear to be crosses and other symbolic items. These details suggest a narrative beyond the immediate depiction, hinting at a larger theological context. They invite closer inspection and encourage viewers to consider the deeper meaning of the scene. The overall effect is one of quiet devotion and spiritual elevation, characteristic of devotional art intended for private contemplation.