Poorter, Willem de – De afgoderij van koning Salomo, 1630-1648 Rijksmuseum: part 2

The composition presents a scene unfolding within what appears to be a grand, albeit dimly lit, chamber. A central figure, presumably a king based on his attire and bearing, stands before an elaborate altar or shrine. He is depicted with aged features, white hair, and a flowing robe, gesturing towards a sculpted statue positioned atop the structure. The statue itself portrays a female form, rendered in classical style, evoking associations with Greco-Roman mythology.
A woman, presumably of significant status given her opulent garments and central placement, stands adjacent to the king. She appears to be participating in the ritualistic activity taking place before them. A kneeling figure, clad in rich crimson robes, is prostrate at the base of the altar, offering a vessel that likely contains libations or incense. The presence of this supplicant suggests an act of worship or veneration.
Several other individuals populate the scene; some stand as observers to the right and left of the central figures, while others are partially obscured in shadow. Their expressions range from solemnity to what might be interpreted as apprehension or disapproval. A group of men, positioned on the far left, seem to be engaged in a separate activity, possibly related to the preparation or maintenance of the shrine.
The lighting is dramatic and focused, highlighting key figures and elements while leaving other areas shrouded in darkness. This chiaroscuro effect intensifies the sense of solemnity and mystery surrounding the event. The architecture of the chamber, with its arches and columns, suggests a place of considerable importance and power.
Subtly embedded within the scene are layers of meaning that extend beyond a simple depiction of religious observance. The juxtaposition of classical sculpture with what appears to be an Eastern royal setting hints at a complex interplay between cultures and belief systems. The kneeling figure’s posture conveys submission, while the expressions on the faces of the onlookers suggest internal conflict or moral questioning. The overall impression is one of transgression – a deviation from accepted religious norms – and the potential consequences that might follow. The scene evokes themes of temptation, idolatry, and the fallibility of even the most powerful rulers.