#17020 Monica Ozamiz Fortis

Here we see a work dominated by warm hues – primarily oranges and reds – interspersed with cooler tones like white and hints of blue. The surface texture is notably rough, suggesting a thick application of paint or the incorporation of mixed media. This impasto creates a tactile quality that draws the viewers eye across the canvas.
The composition isn’t representational; it eschews recognizable forms in favor of an abstract arrangement. Vertical elements, seemingly strokes or lines, punctuate the field of color. These are not clean and defined but rather fragmented and blurred, as if viewed through a distorted lens or captured during movement. They create a sense of upward momentum while simultaneously appearing to dissolve into the background.
The interplay between these vertical forms and the surrounding color creates an impression of depth despite the lack of traditional perspective cues. The denser areas of orange and red seem to recede, while the lighter streaks appear closer, generating a subtle illusion of space.
Theres a feeling of energetic chaos tempered by underlying structure. While the brushwork appears spontaneous and expressive, there’s an intentionality in how these elements are arranged – a deliberate balance between disorder and control. The overall effect is one of intense emotion, perhaps conveying feelings of warmth, intensity, or even a sense of overwhelming energy.
The artists choice to prioritize texture and color over form suggests a focus on the sensory experience rather than narrative representation. This invites viewers to engage with the work on an emotional level, interpreting its meaning through their own subjective experiences.