John Gilbert – Preparing For The Charge
1873
Location: Museums and Art Gallery, Birmingham.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Here we see a multitude of figures – soldiers on horseback, some actively adjusting equipment or communicating with comrades, others seemingly lost in the collective anticipation. Their postures are varied: some appear tense and focused, while others display a weary resignation. The horses themselves are depicted with considerable dynamism; their muscles strain under saddle, and their expressions seem to mirror the overall atmosphere of controlled frenzy.
The color palette is dominated by earthy tones – browns, ochres, and grays – which contribute to a sense of grit and realism. Smoke rises in the distance, hinting at ongoing conflict or recent skirmishes. The light source appears diffuse, casting long shadows and obscuring details, further enhancing the feeling of uncertainty and impending action.
Beyond the immediate depiction of military readiness, the painting suggests themes of duty, sacrifice, and the psychological toll of warfare. The sheer number of figures emphasizes the collective nature of conflict, while the individual expressions hint at the personal anxieties and fears experienced by those involved. Theres a palpable tension between the outward display of preparedness and the underlying vulnerability of the men about to enter battle.
The artist’s technique – loose brushwork and an emphasis on capturing fleeting moments – lends the scene a sense of immediacy and authenticity, avoiding idealized representations in favor of portraying the raw reality of military life. The overall effect is one of controlled chaos, conveying both the excitement and the dread inherent in the act of preparing for combat.