Luca Signorelli – Lamentation
1508-10. 152 x 175. Church of St. Nicholas, Cortona
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
To the left, a group of men are arranged in varying degrees of distress. One, clad in elaborate ecclesiastical robes and holding a crozier, appears to be an authority figure, his expression conveying sorrow tinged with dignity. Beside him stands a man in monastic garb, his face etched with grief. Further back, another figure is partially obscured, contributing to the sense of depth within the scene.
On the right side, two figures are intensely engaged with the deceased. One, seemingly an older man with a weathered face and dark skin, bends over the body in a posture of deep mourning, his hands reaching towards it. Adjacent to him stands another figure, also male, with long hair and a beard, exhibiting a similar expression of sorrow.
Flanking these human figures are several supernatural entities. Two winged beings, one angelic and the other armored, stand guard on either side of the deceased. The angel’s wings are rendered with meticulous detail, suggesting a divine presence overseeing the scene. A youthful male figure, unclothed and possessing long hair, stands near the body, his posture conveying both grief and perhaps contemplation.
The background is sparsely detailed, featuring a suggestion of landscape elements – a distant city or fortress visible through an opening in the composition. This backdrop serves to isolate the central group and emphasize their emotional intensity. The use of light is significant; it illuminates the deceased figure and highlights the expressions of those surrounding him, creating a dramatic effect that underscores the gravity of the moment.
Subtly, the arrangement suggests a hierarchy of grief and mourning. The ecclesiastical figure’s position implies authority and ritualized sorrow, while the gestures of the men on the right convey a more personal and visceral sense of loss. The inclusion of supernatural figures introduces an element of divine intervention or spiritual significance to the event, hinting at themes of redemption or transcendence beyond earthly suffering. The contrast between the pale body and the darker skin tones of some of the mourners might also carry symbolic weight, potentially alluding to universal human experience of grief irrespective of background.