The Assumption of the Virgin with Saints Michael and Benedict * Luca Signorelli (c.1445-1523)

Here we observe a composition centered around a female figure ascending into a luminous halo. She is seated upon what appears to be a circular platform or throne, her hands pressed in prayer or supplication. The drapery of her garments suggests a sense of movement and elevation, contributing to the impression of ascent.
Flanking this central figure are two male saints. One, positioned on the left, wears armor and carries a long spear; his expression is solemn and directed towards the ascending woman. The other, situated on the right, is clad in monastic robes, holding what seems to be a book or scroll. His gaze also appears fixed upon the same central figure.
Above the main subject, a multitude of figures – presumably angels – are depicted, their forms somewhat stylized and arranged in a hierarchical manner. They seem to accompany her ascent, creating a sense of celestial procession. The background is rendered with a gold-toned hue, which intensifies the impression of divine light and otherworldly realm.
The painting’s subtexts likely revolve around themes of heavenly ascension, divine intercession, and spiritual devotion. The presence of Saint Michael suggests protection and triumph over evil, while Saint Benedict may symbolize monastic piety and scholarship. The overall arrangement conveys a narrative of transition from earthly existence to the celestial sphere, emphasizing the Virgins elevated status within the religious framework. The gold background reinforces this sense of sacredness and transcendence, distancing the scene from the mundane world.