Luca Signorelli – Adoration of the shepherds
1522. 180 x 181
Location: Diocesan Museum (Museo Diocesano), Cortona.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Several figures surround this central event. To the left, a woman draped in rich blue fabric gazes towards the infant with an expression of quiet reverence. A bearded man, distinguished by his age and attire – a simple white garment edged with red – stands beside her, leaning on a staff; he appears to be observing the scene with solemnity.
A group of shepherds occupies the foreground. They are depicted in varying states of engagement: one kneels, offering what seems to be a gift held within a woven container, while another stands attentively, his gaze directed towards the infant. Their clothing suggests a working-class status, emphasizing the humility and simplicity associated with this encounter.
Above, two winged figures – presumably angels – descend from the heavens. One is positioned near the structure’s roofline, its wings spread in graceful motion. The other appears closer to the viewer, extending an arm as if gesturing towards the scene below. Their presence introduces a sense of divine intervention and celestial blessing.
The background reveals a landscape with rolling hills, trees, and distant figures – possibly more shepherds or onlookers – observing from afar. This expansive vista contrasts sharply with the enclosed space of the stable, suggesting a connection between the earthly realm and something beyond.
Subtleties in the painting suggest deeper meanings. The presence of animals – an ox and sheep – reinforces themes of pastoral life and sacrifice. The light source is not explicitly defined but seems to emanate from the infant itself, symbolizing divine grace and enlightenment. The varied expressions on the faces of those present – reverence, curiosity, solemnity – hint at a range of human responses to the miraculous event unfolding before them. The composition’s arrangement, with its careful balance between figures and landscape, conveys a sense of harmony and order within this sacred moment.