Ds-Nicholas de Grandmaison 22 Nicholas De Grandmaison

Here we observe a portrait study executed in pastel on paper. The subject is a man, presumably Indigenous, presented from the chest upwards against a warm, indistinct background. His gaze is direct and unwavering, establishing a palpable connection with the viewer.
The artist has employed a limited palette of earth tones – ochres, browns, and muted reds – which contribute to a sense of immediacy and perhaps even austerity. The application of pastel appears loose and expressive; strokes are visible, creating texture and suggesting movement in the man’s hair and facial features. This technique lends an impressionistic quality to the work, prioritizing feeling over precise representation.
The subjects attire is minimal but significant. He wears what appear to be traditional adornments: feathers inserted into his dark hair, beads strung along his braids, and a decorative band across his chest. These details suggest cultural identity and potentially ceremonial significance. The long, braided hair itself speaks of tradition and perhaps resilience.
The composition is straightforward; the man occupies most of the frame, emphasizing his presence. Theres an intentional lack of detail in the background, which serves to isolate the subject and focus attention on his face and expression. This deliberate simplification contributes to a sense of dignity and quiet strength.
Subtexts within this work revolve around themes of cultural representation and encounter. The direct gaze suggests both vulnerability and defiance. It is possible that the artist intended to portray not just an individual, but also a symbol of a culture facing change or displacement. The title, Small Person, Ski-n Stoney Indian (Kootenay Plains, Alberta) 1948, provides contextual information, hinting at a specific location and community. It is worth noting that the term “small person” may be an Indigenous designation for oneself, demonstrating respect and humility. Overall, the painting conveys a sense of quiet contemplation and invites reflection on issues of identity, representation, and cultural heritage.