Andrei Riabushkin – Russian women of the 17th century in church
1899.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist has rendered the women with varying degrees of detail; some faces are clearly defined, while others remain partially obscured in shadow or blurred by distance. Their expressions range from solemnity to quiet contemplation, suggesting a moment of reverence within the religious setting. The clothing is particularly noteworthy – rich fabrics and intricate patterns dominate their garments, indicative of high social status. A vibrant red robe stands out prominently, drawing the viewers eye toward a young boy positioned in front of it. He appears to be observing the women with an air of curiosity or perhaps deference.
Behind the group, glimpses of iconographic paintings are visible on the walls, further reinforcing the sacred nature of the location. The architectural details – arched windows and decorative elements – suggest a traditional Russian style.
Subtleties within the painting hint at social dynamics and cultural norms. The womens segregated position suggests gender roles prevalent in 17th-century Russia. Their opulent clothing might symbolize wealth, power, or familial connections. The presence of the young boy could represent the future generation inheriting these traditions and societal positions. The overall atmosphere is one of formality and piety, offering a window into a specific historical moment and its associated customs.