Exhibition of works by Vladimir Mayakovsky. (Gan A.) Soviet Posters (1917-1941)

The composition presents a striking visual statement centered around a portrait and bold typography. A man in formal attire occupies the left portion of the frame; his gaze is directed forward with an intensity that suggests both confidence and perhaps a degree of melancholy. The photograph appears to be taken at close range, emphasizing the texture of his suit and the sharpness of his features.
To the right of the portrait, a large, vertical letter В dominates the space, acting as a visual anchor for the text block above it. This letter is rendered in a stark black and white, contrasting sharply with the warmer tones of the photograph. The word “ВЫСТАВКА РАБОТ” (EXHIBITION OF WORKS) is arranged in capital letters, split into two lines to fit within the confines of the В, further emphasizing its importance.
Below this, the name ЛАДИМИРА МАЯКОВСКОГО (VLADIMIR MAYAKOVSKY) appears in a similarly bold typeface, positioned diagonally across the lower portion of the letter “В.” This placement creates a dynamic visual flow, drawing the viewers eye downwards.
A smaller block of text is situated at the bottom edge of the composition; it contains logistical details regarding the exhibition’s location and dates, presented in a more conventional font size and style. The overall effect is one of deliberate asymmetry and hierarchical organization – the individual portrait serves as an introduction to the larger event being announced.
The color palette is restricted primarily to black, white, and shades of gray, contributing to a sense of austerity and seriousness appropriate for a public announcement concerning an artists work. The use of photographic realism alongside geometric typography suggests a deliberate attempt to reconcile individual expression with collective ideology – a common characteristic of Soviet-era artistic production. The portrait’s somberness, juxtaposed against the assertive typography, hints at underlying tensions or complexities within the subject’s life and legacy.