Soviet Posters – Long live the mighty aviation of the country of socialism! (Dobrovolsky V.)
1939
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The color palette is striking: the red of the aircraft and the flags contrasts sharply with the blues and whites of the sky and the muted tones of the buildings below. This contrast serves to highlight the technological advancement represented by the aviation, setting it apart from the established urban environment. The artist’s use of perspective creates a sense of grandeur and scale, both for the aircraft and the city itself.
Subtexts within this work are readily apparent. It is not merely a depiction of flight; it functions as propaganda, promoting the power and progress of a specific political system. The prominence given to aviation suggests its strategic importance – likely intended to convey strength and readiness in an era marked by rising international tensions. The crowds below, rendered as a unified mass, reinforce the idea of collective support for this technological advancement and the ideology it represents. The circular forms in the sky could be interpreted as symbols of divine blessing or protection, subtly associating the regime with higher powers. Overall, the artwork is designed to inspire national pride and confidence through the glorification of aviation and its perceived contribution to societal strength.