The partnership of the Nobel brothers. Oil, ointments and gasoline for cars, motor boats, airplanes. (Unknown artist) Soviet Posters (1917-1941)

The composition presents a vibrant and dynamic scene centered around technological advancement and industrial progress. A dominant red racing car occupies the foreground, its driver leaning forward in a posture suggesting speed and control. The vehicle is depicted on a winding road that curves sharply into the distance, creating a sense of momentum and trajectory.
Above this central element, the artist placed several smaller vignettes illustrating various modes of transportation: an airplane soaring across the upper portion, a motorboat gliding on water, and another racing car speeding along a separate track. These elements are arranged against a deep purple background, which serves to accentuate their colors and create visual separation between them.
Text is integrated into the design in a layered fashion. A prominent inscription at the top identifies the product being advertised, while smaller text below lists its applications – for automobiles, motorboats, and airplanes. The typography itself contributes to the overall aesthetic, employing a bold, slightly ornate font that evokes a sense of established quality and reliability.
The color palette is striking: the intense red of the car contrasts sharply with the purple backdrop and the muted tones of the other vehicles. This contrast draws immediate attention to the racing car, symbolizing power and performance. The limited range of colors contributes to a graphic, almost poster-like quality, indicative of its intended function as an advertisement.
Subtly, the painting conveys a narrative of modernity and ambition. It’s not merely showcasing products; its presenting them as integral components of a rapidly evolving world where speed, efficiency, and technological innovation are highly valued. The inclusion of multiple transportation methods suggests a comprehensive offering catering to diverse needs within this modern landscape. There is an implicit promise of progress and participation in the burgeoning industrial age embedded within the visual language.