Sebastiano Venier gives thanks to the Saviour Veronese (Paolo Cagliari) (1528-1588)

The composition presents a dramatic and layered scene, dominated by a central figure surrounded by celestial beings and earthly dignitaries. The work is structured around a horizontal axis, with flanking niches containing sculpted figures that frame the main narrative.
Here we see a man kneeling in fervent prayer at the foot of a raised platform. His posture conveys profound humility and supplication. Above him, seated on what appears to be a cloud formation, is a bearded figure radiating light, flanked by numerous other individuals who seem to be angels or saints. These figures are rendered with varying degrees of detail and express a range of emotions, from ecstatic joy to reverent awe. The central figure’s gesture – a raised hand – suggests blessing or divine intervention.
The platform upon which the bearded figure sits is occupied by a man in opulent attire, presumably the subject of this devotional scene. He appears to be receiving some form of benediction or recognition from the celestial presence above. Several other men are positioned around him, some gesturing towards the central figures, others observing with expressions that suggest both respect and wonder. A small figure, seemingly a young boy, is present near the platforms edge, adding a touch of innocence to the scene.
The background reveals a panoramic view of a city – likely Venice – stretching out toward the horizon. The inclusion of this recognizable cityscape anchors the divine event within a specific earthly context, suggesting that the intervention depicted has direct relevance to the lives and fortunes of those who inhabit it.
The sculpted figures in the flanking niches are classical in style, depicting female forms draped in flowing robes. Their presence introduces an element of timelessness and connects the scene to the broader tradition of Western art. The gilded frames surrounding these sculptures enhance their visual prominence and contribute to the overall sense of grandeur.
Subtly, the painting explores themes of divine grace, political power, and civic responsibility. The kneeling man’s act of prayer implies a reliance on higher powers for deliverance or success. The opulent attire of the seated figure suggests his position of authority and influence within society. The inclusion of Venice in the background reinforces the idea that this scene is not merely a personal devotion but also a public affirmation of faith and civic identity. The contrast between the earthly realm, represented by the city and its inhabitants, and the heavenly realm, embodied by the figures above, highlights the tension between human ambition and divine providence.