Sketch for the Bevilacqua Altarpiece Veronese (Paolo Cagliari) (1528-1588)

The composition presents a distinct division into two registers, creating a hierarchical visual structure. The upper portion depicts a seated figure, presumably a maternal one, holding an infant in her arms. She is draped in flowing blue garments and positioned against a backdrop of dark fabric and a cloudy sky. An angel stands nearby, seemingly engaged with a book or scroll, adding to the sense of reverence and divine presence. A classical column partially frames this upper scene, suggesting a setting of grandeur and permanence.
Below, within an architectural frame that separates it from the celestial realm above, we see three figures arranged in a more intimate grouping. The central figure is a man clad in animal skins, his posture conveying humility or penitence. He gestures towards another figure, who wears elaborate ecclesiastical robes and appears to be holding a book open. A third, older man with baldness is seated at the lower left corner of the frame, seemingly observing the interaction between the other two. The color palette here is dominated by warm tones – reds, browns, and golds – contrasting with the cooler blues of the upper register.
The arrangement suggests a narrative or allegorical scene. The division into registers implies a connection between earthly devotion and divine grace. The man in animal skins might represent a prophet or a figure undergoing spiritual trial, seeking guidance from the robed cleric who seems to embody wisdom or religious authority. The older man’s presence could signify tradition, age, or perhaps a witness to this exchange.
The architectural frame around the lower scene serves not only as a compositional device but also reinforces the idea of a contained narrative, a moment frozen in time and presented for contemplation. The overall effect is one of solemnity and spiritual inquiry, with the upper register establishing a sense of divine sanction or blessing upon the events unfolding below.