Degas Edgar (Paris 1834-1917) – Milliners (60x75 cm) 1882-1905 J. Paul Getty Museum

The composition presents a glimpse into what appears to be a workshop or studio environment, likely associated with the fashion trade. Two figures dominate the scene; one is positioned centrally and slightly forward, while the other stands further back on the right side of the frame. The central figure, a young woman, is engaged in an activity involving fabric – possibly trimming or shaping it. Her gaze is directed downwards, suggesting concentration or perhaps a degree of melancholy.
The second woman, partially obscured by the first and the surrounding space, seems to be occupied with similar work, although her posture and facial expression are less discernible. The lighting is subdued, creating an atmosphere of quiet industry rather than vibrant activity. A muted palette prevails; browns, greens, and touches of red and yellow define the color scheme.
The arrangement of fabrics on a table in the foreground introduces a visual richness to the scene. These textiles – pink, yellow, and orange – provide a contrast to the somber tones of the figures clothing and the surrounding environment. The presence of vertical supports or poles adds another layer of complexity to the spatial organization, creating a sense of enclosure and defining the working area.
The artist’s approach seems less concerned with precise detail than with capturing an impression of everyday life within this specific profession. There is a deliberate lack of narrative clarity; we are not presented with a particular event or story but rather a fleeting moment in time. This focus on the mundane, combined with the somewhat detached observation of the figures, hints at a broader commentary on labor and social class during the period. The work evokes a sense of quiet dignity within an environment that might otherwise be overlooked.