Ricci Sebastiano (1659 Belluno – 1734 Venice) – Diana with a dog (74x55 cm) 1700-05 J. Paul Getty Museum

The composition presents a female figure in a reclining pose, dominating the central space. She is positioned on what appears to be a draped cushion or low platform, rendered with folds of white fabric that contrast against a deep blue undergarment. Her body is exposed, exhibiting a classical idealization of form – smooth skin, rounded contours, and an overall sense of serene beauty. A garland of leaves adorns her hair, further reinforcing associations with nature and mythology. To her right sits a dog, depicted in a light cream color, its posture suggesting loyalty and companionship. The animal’s gaze is directed towards the viewer, creating a subtle connection between them and the scene.
The background is characterized by dense foliage and shadowed areas, contributing to an atmosphere of secluded tranquility. A secondary figure, partially obscured within the darkness on the left side, appears to be engaged in some activity – possibly hunting or observing. This individual’s presence introduces a narrative element, hinting at a larger context beyond the immediate scene.
The lighting is dramatic and focused, highlighting the central figure while leaving much of the background in relative obscurity. The chiaroscuro effect emphasizes the contours of her body and draws attention to the details of her expression – a contemplative or melancholic gaze directed downwards. A fallen arrow lies near her feet, suggesting a moment of pause or reflection after an action.
The work seems to explore themes of femininity, nature, and perhaps even loss or introspection. The presence of the dog symbolizes fidelity and protection, while the discarded weapon implies a temporary abandonment of duty or purpose. The overall impression is one of quiet dignity and restrained emotion, characteristic of works intended to evoke classical ideals within a Baroque sensibility.