Perroneau Jean-Baptiste (1715 Paris – 1783 Amsterdam) – Magdalena de la Grange (65x52 cm) 1747 J. Paul Getty Museum

The portrait presents a woman in three-quarter profile against a dark, indistinct background. She is seated, and only the back of a chair is visible, contributing to a sense of intimacy and focused attention on the sitter. The artist has rendered her with a soft, almost luminous quality, achieved through delicate brushwork and subtle gradations of light and shadow.
The woman’s attire suggests a position of refinement and wealth. She wears a pale, flowing blouse or gown, accented by blue ribbons at the neckline and in her hair. A dark ribbon choker adorns her neck, drawing attention to her face and emphasizing the delicate curve of her jawline. The hairstyle is characteristic of the mid-18th century, with elaborate curls arranged around her face and secured with a floral embellishment.
A significant element within the composition is the grey cat held gently in her arms. It wears a collar with small bells, adding a touch of playful domesticity to the scene. The cat’s presence isnt merely decorative; it likely carries symbolic weight. Cats were often associated with femininity, independence, and even aristocratic leisure during this period. Their inclusion could be interpreted as an indication of the sitter’s character or social standing.
The woman’s expression is complex – a mixture of composure and perhaps a hint of melancholy. Her gaze is directed slightly upwards and to the side, suggesting introspection rather than direct engagement with the viewer. This subtle emotional nuance contributes to the portraits overall sense of quiet dignity. The artist has skillfully captured not just her likeness but also an impression of her inner life.
The color palette is restrained, dominated by soft pastels and muted tones. The limited range of colors reinforces the feeling of elegance and refinement. The use of light is particularly noteworthy; it illuminates the woman’s face and upper body while leaving the background in shadow, further emphasizing her importance within the composition.