Sten Jan Hawiks (Leiden 1626 – 1679) – Bathsheba after her bath (58x45 cm) 1665-70 J. Paul Getty Museum

The composition presents a scene unfolding within what appears to be a secluded garden or courtyard setting. A woman occupies the central position, reclining on a stone ledge and partially submerged in water. Her pose is languid; one leg is extended, revealing skin that contrasts with the pale fabric of her chemise and the richer tones of a robe draped across her shoulders. She holds a letter in her hand, its contents seemingly absorbed by her gaze.
To her right stands an older woman, clad in dark robes and a white coif. Her posture is one of attentive observation; she leans on a walking stick, her hand gently resting near the reclining figure’s leg. The elders expression appears to be a mixture of concern and perhaps a degree of disapproval or caution.
A small dog sits at the woman’s feet, adding an element of domesticity to the otherwise charged atmosphere. A stone sculpture depicting a mythological creature is visible in the background, partially obscured by foliage and a heavy curtain that drapes from above. Scattered slippers and a carafe with what appears to be wine are placed on the ground near the ledge, suggesting a moment of relaxed indulgence interrupted or observed.
The lighting is dramatic, highlighting the woman’s skin and emphasizing the contrast between light and shadow. The artist employed a warm palette dominated by ochres, reds, and creams, which contributes to an overall sense of intimacy and sensuality.
Subtleties within the scene suggest layers of meaning beyond a simple depiction of leisure. The letter held by the reclining woman implies communication or revelation, hinting at a narrative context that remains unspoken. The presence of the older woman introduces a dynamic of surveillance or guidance, potentially representing societal expectations or moral judgment. Her proximity to the younger woman suggests an attempt at control or intervention. The dog’s inclusion might symbolize loyalty or companionship, while the discarded slippers and wine carafe could signify a transgression of boundaries or a moment of vulnerability.
The composition as a whole evokes themes of temptation, consequence, and the complexities of female agency within a patriarchal framework. It is not merely a portrayal of physical beauty but also an exploration of psychological states and social dynamics.