Maulbertsch Franz Anton (1724 Langenargen – 1796 Vienna) – Glorification of the Union of the Houses of Habsburg and Lorrain (107x163 cm) 1775 J. Paul Getty Museum
J. Paul Getty Museum – Maulbertsch Franz Anton (1724 Langenargen - 1796 Vienna) - Glorification of the Union of the Houses of Habsburg and Lorrain (107x163 cm) 1775
The composition presents a densely populated scene unfolding within a theatrical, cloud-filled sky. A central group of figures dominates the foreground, arranged around what appears to be a seated woman, rendered in pale tones and surrounded by attendants. She is positioned on an elevated platform, suggesting authority or divine status. The arrangement implies a ceremonial occasion, possibly a coronation or investiture. Flanking this central figure are numerous other individuals, some identifiable through their attire – military uniforms, elaborate robes, and symbols of office. A male figure, mounted on horseback, stands prominently to the right, his posture conveying strength and leadership. He is surrounded by allegorical figures, including what seem to be personifications of virtues or concepts like Justice and Peace. Above this earthly scene, a multitude of winged figures – presumably angels or putti – populate the sky. They are arranged in dynamic groupings, some bearing attributes such as wreaths or musical instruments. The light source appears to emanate from behind these celestial beings, creating a sense of ethereal radiance that bathes the entire composition. The artist employed a palette dominated by soft blues, pinks, and golds, contributing to an overall impression of grandeur and festivity. The use of chiaroscuro – the contrast between light and dark – enhances the drama and emphasizes key figures within the scene. A sense of movement is created through the swirling clouds and the dynamic poses of many of the individuals depicted. Subtly woven into this spectacle are elements that suggest a narrative beyond mere celebration. The presence of military figures hints at power and dominion, while the allegorical representations imply an endorsement of specific values or principles. The arrangement of the central figure on a raised platform, coupled with the surrounding attendants, reinforces notions of hierarchy and divine right. The overall effect is one of carefully constructed propaganda, designed to legitimize authority and project an image of prosperity and stability.
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Maulbertsch Franz Anton (1724 Langenargen - 1796 Vienna) - Glorification of the Union of the Houses of Habsburg and Lorrain (107x163 cm) 1775 — J. Paul Getty Museum
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Flanking this central figure are numerous other individuals, some identifiable through their attire – military uniforms, elaborate robes, and symbols of office. A male figure, mounted on horseback, stands prominently to the right, his posture conveying strength and leadership. He is surrounded by allegorical figures, including what seem to be personifications of virtues or concepts like Justice and Peace.
Above this earthly scene, a multitude of winged figures – presumably angels or putti – populate the sky. They are arranged in dynamic groupings, some bearing attributes such as wreaths or musical instruments. The light source appears to emanate from behind these celestial beings, creating a sense of ethereal radiance that bathes the entire composition.
The artist employed a palette dominated by soft blues, pinks, and golds, contributing to an overall impression of grandeur and festivity. The use of chiaroscuro – the contrast between light and dark – enhances the drama and emphasizes key figures within the scene. A sense of movement is created through the swirling clouds and the dynamic poses of many of the individuals depicted.
Subtly woven into this spectacle are elements that suggest a narrative beyond mere celebration. The presence of military figures hints at power and dominion, while the allegorical representations imply an endorsement of specific values or principles. The arrangement of the central figure on a raised platform, coupled with the surrounding attendants, reinforces notions of hierarchy and divine right. The overall effect is one of carefully constructed propaganda, designed to legitimize authority and project an image of prosperity and stability.