Bartolomeo Fra (Baccio della Porta) (Florence 1472-1517) – Rest on the Flight into Egypt with John the Baptist (129x106 cm) c.1509 J. Paul Getty Museum
J. Paul Getty Museum – Bartolomeo Fra (Baccio della Porta) (Florence 1472-1517) - Rest on the Flight into Egypt with John the Baptist (129x106 cm) c.1509
The composition presents a group gathered within a landscape setting, bathed in soft, diffused light. A mature man, positioned on the left, leans heavily on a staff, his expression suggesting weariness and contemplation. He is draped in simple, earth-toned garments that contrast with the vibrant blue cloak enveloping the woman seated centrally. The woman holds a small infant close to her chest, offering him a symbolic cross. Beside them, a second child, seemingly of similar age, reaches out towards the central figure, his gaze fixed on the infant. The arrangement suggests familial bonds and a sense of protection. Behind this immediate group, a ruined architectural structure rises, hinting at a past grandeur now faded. Beyond that, a distant cityscape is visible under a clear sky, suggesting a destination or refuge. A lone rider appears in the background, adding to the narratives sense of journey and displacement. The landscape itself is rendered with meticulous detail; palm trees punctuate the left side, while lush vegetation covers the foreground. The color palette is dominated by warm earth tones – ochres, browns, and yellows – which are punctuated by the striking blue of the woman’s cloak and the pale flesh tones of the figures. The artist employed a sfumato technique, softening edges and creating an atmospheric perspective that contributes to the overall sense of serenity and quiet contemplation. Subtleties within the painting suggest themes beyond the immediate narrative. The ruined architecture could symbolize loss or exile, while the distant city represents hope for a future sanctuary. The presence of two children introduces complexities regarding lineage and divine inheritance. The man’s posture conveys not only physical fatigue but also a burden of responsibility. Overall, the work evokes a mood of quiet resilience in the face of adversity, hinting at themes of faith, protection, and the enduring power of familial bonds amidst uncertainty.
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Bartolomeo Fra (Baccio della Porta) (Florence 1472-1517) - Rest on the Flight into Egypt with John the Baptist (129x106 cm) c.1509 — J. Paul Getty Museum
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The woman holds a small infant close to her chest, offering him a symbolic cross. Beside them, a second child, seemingly of similar age, reaches out towards the central figure, his gaze fixed on the infant. The arrangement suggests familial bonds and a sense of protection.
Behind this immediate group, a ruined architectural structure rises, hinting at a past grandeur now faded. Beyond that, a distant cityscape is visible under a clear sky, suggesting a destination or refuge. A lone rider appears in the background, adding to the narratives sense of journey and displacement. The landscape itself is rendered with meticulous detail; palm trees punctuate the left side, while lush vegetation covers the foreground.
The color palette is dominated by warm earth tones – ochres, browns, and yellows – which are punctuated by the striking blue of the woman’s cloak and the pale flesh tones of the figures. The artist employed a sfumato technique, softening edges and creating an atmospheric perspective that contributes to the overall sense of serenity and quiet contemplation.
Subtleties within the painting suggest themes beyond the immediate narrative. The ruined architecture could symbolize loss or exile, while the distant city represents hope for a future sanctuary. The presence of two children introduces complexities regarding lineage and divine inheritance. The man’s posture conveys not only physical fatigue but also a burden of responsibility. Overall, the work evokes a mood of quiet resilience in the face of adversity, hinting at themes of faith, protection, and the enduring power of familial bonds amidst uncertainty.