Rubens Peter Paul (1577 Siegen – 1640 Antwerp) – Miracle of St. Francis of Paola (97x77 cm) ca1628 J. Paul Getty Museum

The composition presents a dramatic scene unfolding within a classical architectural framework. A central figure, identifiable as a religious leader by his habit and aged appearance, is depicted suspended in mid-air, seemingly levitating above a throng of onlookers. He gestures upwards with an open palm, suggesting divine intervention or blessing. The light source appears to emanate from behind him, creating a halo effect and emphasizing his elevated status.
Below this central figure, the scene descends into a chaotic tableau of human emotion and suffering. A large group of people are arranged in tiers, their expressions ranging from awe and reverence to distress and despair. Some reach upwards towards the levitating figure, while others appear to be afflicted by illness or injury. The foreground is dominated by figures exhibiting signs of physical torment – one man writhes in apparent agony, another lies prostrate on the ground, attended to by concerned individuals. A dog sits nearby, seemingly observing the scene with a quiet intensity.
The architectural setting contributes significantly to the painting’s overall effect. Classical columns and arches frame the action, lending an air of grandeur and formality to the otherwise tumultuous event. The use of perspective draws the viewers eye towards the central figure, reinforcing his importance within the narrative.
Color plays a crucial role in establishing visual hierarchy. Warm tones – golds, yellows, and reds – are concentrated around the levitating figure and those closest to him, signifying divine grace and healing. Cooler blues and greens dominate the background and the areas depicting suffering, creating a contrast that heightens the emotional impact of the scene.
Subtleties within the composition suggest layers of meaning beyond the immediate depiction of a miraculous event. The presence of both healthy and afflicted individuals implies a complex interplay between faith, suffering, and divine intervention. The varied expressions on the faces of the onlookers hint at different interpretations of the miracle – some embrace it with unquestioning belief, while others seem to grapple with its implications. The inclusion of animals, particularly the dog, adds an element of naturalism and perhaps symbolizes fidelity or compassion. Overall, the work explores themes of faith, healing, and the human condition through a dynamic arrangement of figures and a masterful use of light and color.