Rigaud Jacente (1659 Perpignan – 1743 Paris) – Charles de Saint-Aubin, Archbishop of Cambrai (146x113 cm) 1723 J. Paul Getty Museum

The composition presents a seated figure, rendered in a formal portrait style characteristic of the early eighteenth century. The subject is positioned centrally within the frame, commanding attention through his direct gaze and prominent placement. He appears to be a man of high standing, indicated by his elaborate attire and dignified posture.
Here we see him draped in opulent garments: a voluminous silver-grey robe lined with rich red silk, a white clerical collar, and a jeweled pectoral cross suspended from a chain. The textures are meticulously rendered – the sheen of the fabrics, the softness of the fur trim on the sleeves, and the intricate detailing of the embroidery all contribute to an impression of considerable wealth and status. A large, bound volume rests in his lap, suggesting scholarship or administrative responsibility. His right hand is extended slightly, as if offering a gesture of blessing or acknowledgement.
The background is deliberately subdued, consisting primarily of architectural elements – columns that recede into a hazy distance. This limited backdrop serves to isolate the figure and emphasize his importance. A heavy, draped curtain partially obscures the area behind him, adding depth and further highlighting the subject’s presence.
Beyond the straightforward depiction of an individual in ceremonial dress, several subtexts emerge. The deliberate formality suggests a desire for posterity – a wish to be remembered as a man of authority and piety. The open book could symbolize knowledge, faith, or perhaps even the burden of responsibility associated with his position. The gesture of the hand, while seemingly benign, might also convey an air of paternalistic control.
The artist’s skill lies in conveying not only physical likeness but also a sense of character – a combination of solemnity and quiet confidence. The overall effect is one of controlled grandeur, designed to project power and reinforce the subjects position within the social hierarchy.