J. Paul Getty Museum – Bray Solomon de (1597 Amsterdam - 1664 Haarlem) - Samson with jawbone (62x51 cm) 1636
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The man’s hair is long, dark, and unruly, falling around his shoulders in thick waves. A full beard and mustache frame a face marked by evident strain – the brow furrowed, the mouth slightly open as if mid-exhalation. The skin tone appears flushed, hinting at exertion or inner turmoil. He wears a simple, loosely draped garment that reveals portions of his chest and upper arms. His hands are clasped around an object held close to his body; it is clearly a large bone, its texture rendered with considerable detail.
The artist’s handling of paint is characterized by visible brushstrokes, particularly in the rendering of hair and fabric, contributing to a sense of immediacy and dynamism. The color palette is restrained, dominated by earthy tones – browns, ochres, and grays – punctuated by highlights of pale skin and the bones off-white hue.
Beyond the literal depiction, several subtexts emerge. The figure’s posture and expression convey a complex mix of strength and vulnerability. While his grip on the bone suggests power and resilience – perhaps referencing a past triumph – the upward gaze and strained features imply a burden or consequence associated with that victory. There is an element of introspection present; he seems to be confronting something internal, recalling a significant event that has left its mark. The darkness surrounding him isolates the figure, intensifying his emotional state and suggesting themes of solitude and reckoning. The bone itself becomes a symbol – a tangible reminder of past actions and their repercussions.