Mike Singleton – Lords Of Midnight (Abraxsis) Mike Singleton

Here we observe a dramatic composition dominated by a colossal, winged creature and a mounted figure poised above a dark landscape. The scene unfolds under a luminous moon, its pale light casting long shadows and highlighting the textures of both the dragons scales and the warrior’s armor.
The dragon is rendered in shades of white and silver, suggesting purity or perhaps an otherworldly origin. Its posture conveys a sense of restrained power; it does not appear to be actively attacking but rather presenting itself, almost as if acknowledging the presence of the rider. The artist has meticulously detailed its anatomy, emphasizing the musculature and the formidable nature of its claws and teeth. A subtle hint of red within the dragon’s mouth suggests an underlying ferocity contained beneath a veneer of serenity.
The warrior, clad in elaborate plate armor, sits atop the dragon with an air of authority. He holds aloft a weapon – likely an axe or similar bladed instrument – in a gesture that could be interpreted as either challenge or dominion. His face is partially obscured by his helmet, adding to his enigmatic presence and suggesting a stoicism born from experience. The positioning of the figure atop the dragon reinforces a hierarchical relationship; he appears not merely to ride it but to command it.
Below them lies a sprawling cityscape, silhouetted against the moonlit sky. The architecture suggests a medieval or fantasy setting, with tall towers and imposing walls hinting at both grandeur and vulnerability. The darkness that envelops the city implies an underlying threat, perhaps suggesting a kingdom under siege or a realm shrouded in mystery.
The color palette is predominantly cool – blues, silvers, and blacks – which contributes to the overall atmosphere of solemnity and foreboding. The limited use of warmer tones (the red within the dragon’s mouth, the highlights on the armor) draws attention to key elements and adds visual interest.
Subtextually, the painting explores themes of power, control, and perhaps a fragile alliance between disparate forces. The riders dominance over the dragon could symbolize the triumph of order over chaos or the subjugation of primal instincts. Alternatively, it might represent a symbiotic relationship where both entities benefit from their connection. The shadowed city below hints at a larger narrative – a world in need of protection or redemption – and invites speculation about the roles these figures play within that context.