August Wilhelm Julius Ahlborn – Gothic Catherdral on the Water
1823. 80x106 (Copy, 1823, by Wilhelm Ahlborn (1796–1857) after a destroyed painting, 1813, by Schinkel)
Location: Old and New National Galleries, Museum Berggruen (Alte und Neue Nationalgalerie, Museum Berggruen), Berlin.
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COMMENTS: 4 Ответы
Та же картина – Шинкель К. Ф. Готический собор на воде. Опечатка или копия?
Это копия работы Альборна. Оригинал Шинкеля погиб в пожаре в Мюнхене в Стеклянном дворце в 1931.
https://goo.gl/abhe8m
Спасибо за ответ. С уважением, Носиков В. В.
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The artist has employed a dramatic use of chiaroscuro, emphasizing the cathedral’s grandeur through stark contrasts between light and shadow. The lower portion of the composition is shrouded in relative darkness, which serves to accentuate the illuminated façade of the building. This technique contributes to an atmosphere of awe and reverence. A bridge spans the water on the right side of the painting, connecting the structure to a densely populated urban area visible in the background.
The presence of the figures introduces a human element into this otherwise imposing landscape. Their scale is deliberately diminished compared to the cathedral, reinforcing the building’s symbolic weight and power. The overcast sky, with its swirling clouds, suggests an underlying tension or emotional complexity within the scene. It could be interpreted as representing either divine judgment or simply the unpredictable nature of existence.
The painting seems to explore themes of faith, human ambition, and the relationship between humanity and the sublime. The cathedral’s imposing presence implies a connection to something larger than oneself, while the activities of the figures suggest the ongoing cycle of daily life unfolding in its shadow. There is an underlying sense of transience; the waters surface reflects both the grandeur above and the fleeting nature of time itself.