Madonna with angels and St. Francis Cimabue (Cenni Di Pepo) (1240-1302)

The composition presents a central female figure enthroned, holding an infant in her lap. She is flanked by several angelic figures and a male figure positioned on the right edge of the scene. The background is a deep blue, punctuated by a decorative band along the upper register containing smaller depictions within circular frames.
Here we see the seated woman draped in flowing robes of pale green and red, her head covered with a veil. Her expression is serene, directed towards the viewer with an air of gentle authority. The infant she holds appears similarly tranquil, his gaze also fixed on the observer. The throne itself is rendered simply, its gold surface suggesting richness without elaborate ornamentation.
The angelic figures are arranged symmetrically around the central pair. Each angel possesses large, feathered wings and wears a flowing white garment, with subtle variations in their facial expressions – some appear to be gazing downwards, others towards the Virgin Mary and child. They hold aloft what seem to be cruciform staffs or banners, adding a sense of ceremonial reverence to the scene.
The male figure on the right is dressed in a coarse, brown habit, indicative of a religious order. His hands are clasped in prayer, his face turned upwards with an expression of profound devotion. He stands slightly apart from the other figures, creating a visual separation that emphasizes his role as a supplicant or intercessor.
The color palette is restrained, dominated by blues, greens, reds and golds. The limited range contributes to a sense of solemnity and spiritual focus. The use of gold leaf highlights key elements – the throne, the halos surrounding the figures – drawing attention to their divine significance.
Subtly, the painting conveys themes of piety, intercession, and divine grace. The presence of St. Francis suggests a connection to Franciscan spirituality, emphasizing humility and devotion. The arrangement of angels reinforces the idea of heavenly mediation between God and humanity. The overall effect is one of quiet contemplation and reverence, inviting the viewer into a space of spiritual reflection. The decorative band at the top, with its miniature scenes, hints at a larger narrative or cycle of events, suggesting that this composition is part of a broader devotional program.