In the Caucasus. Fed by mountain people. 1889 Konstantin Alekseevich Korovin (1861-1939)

The canvas presents a scene set within a rugged, mountainous landscape. Dominating the foreground are three figures, their backs largely turned towards the viewer. They appear to be engaged in some form of labor or sustenance gathering, possibly related to agriculture given the presence of what seems to be a rudimentary irrigation channel cutting through the terrain. The individuals are clad in dark, earthy tones that blend with the surrounding environment, suggesting an intentional effort to minimize visual distinction between person and place.
The landscape itself is rendered with a muted palette, primarily consisting of browns, grays, and ochres. Towering peaks rise in the distance, their forms softened by atmospheric perspective, creating a sense of vastness and isolation. A cluster of buildings, seemingly dwellings or storage structures, are nestled against the lower slopes of the mountains, further emphasizing the remoteness of this location.
The artist’s brushwork is loose and expressive, contributing to an overall impression of immediacy and naturalism. The lack of detailed facial features on the figures encourages a focus on their actions rather than individual identities; they become representatives of a collective engaged in a timeless cycle of work and survival.
Subtly embedded within this depiction are themes of human interaction with nature and the challenges inherent in existence within a harsh environment. The composition suggests a quiet dignity and resilience, hinting at a deep connection between these people and their land. There is an absence of overt narrative; instead, the painting evokes a mood of contemplative observation, inviting reflection on the enduring relationship between humanity and its surroundings. The subdued lighting and limited color range contribute to a somber yet respectful portrayal of rural life in a remote region.