Konstantin Alekseevich Korovin – Portrait of a chorus girl
1883. 54×41
Location: The State Tretyakov Gallery, Moscow (Государственная Третьяковская галерея).
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The title, Portrait of a Chorus Girl, immediately suggests a subtext related to the entertainment world of the late 19th century. Chorus girls were often seen as figures of both glamour and potential vulnerability, occupying a space between performer and working-class woman. The portrait could allude to the idealized, yet perhaps transient, beauty associated with such professions. The upward gaze might suggest aspirations for a better life, a moment of reflection on her circumstances, or a search for something beyond her current reality. The rich textures of her clothing, particularly the blue corset, hint at the artificiality and constructed persona often associated with stage performance. Alternatively, the informal brushwork and outdoor setting might suggest an attempt to capture a more intimate, real side of the subject, away from the spotlight, highlighting her humanity and individual character beyond her profession. The painting captures a fleeting moment, inviting the viewer to speculate about the inner life and dreams of this young woman working in a demanding and often precarious profession.