Prince Golitsyn and the boyars. 1910 Konstantin Alekseevich Korovin (1861-1939)

The composition presents a group portrait of six men, seemingly arranged in a formal setting or procession. They stand close together, their bodies largely aligned vertically, creating a sense of rigid order and hierarchy. The artist employed a muted color palette dominated by earthy tones – browns, ochres, and grays – with occasional accents of red and blue within the garments. This restrained use of color contributes to an overall feeling of solemnity and perhaps even austerity.
Each man is individually characterized through subtle variations in facial expression and posture. Some display expressions that suggest weariness or contemplation, while others appear more alert and observant. The rendering of their faces is not particularly detailed; instead, the focus lies on capturing a general impression of character rather than precise likeness.
The clothing provides significant clues to their social status. Elaborate fur-trimmed coats, tall hats adorned with plumes, and richly embroidered shirts indicate that these are individuals of considerable wealth and influence – likely members of the aristocracy or high-ranking officials. The meticulous depiction of the fabrics and textures suggests a keen interest in portraying not only their outward appearance but also their position within society.
Above each figure, handwritten labels identify them by name. This textual element adds another layer to the work, transforming it from a purely visual representation into a document that preserves individual identities alongside a broader social commentary. The script itself appears somewhat hurried and informal, contrasting with the formality of the figures depicted below.
Subtly, there is an air of melancholy or decline pervading the scene. While their attire signifies privilege, their expressions suggest a certain resignation or perhaps even a sense of obsolescence. This could be interpreted as a commentary on the waning power of the old aristocracy in a rapidly changing world. The overall impression is one of a class clinging to its traditions and status while facing an uncertain future. The artist seems less interested in celebrating these individuals than in documenting their existence, capturing a moment frozen in time that hints at larger societal shifts.