Portrait of Peter du Cane (1741-1823) * Anton von Maron (1733-1808)

The painting presents a gentleman in a full-length pose, positioned slightly off-center within the composition. He is clad in a vibrant red coat, meticulously tailored and adorned with elaborate gold embroidery along the lapels and cuffs. The coats cut suggests a fashionable style of the mid-18th century, emphasizing a slender silhouette through a fitted waistcoat and breeches. White stockings are visible beneath buckled shoes, completing the formal attire. His powdered wig is styled in a manner characteristic of the period, contributing to an overall impression of refined status.
The gentleman’s posture conveys a sense of confident authority; he stands with one hand extended slightly outward, as if gesturing towards something beyond the viewers perspective. The other hand rests on his hip, further reinforcing this air of relaxed command. His gaze is directed outwards, suggesting engagement and perhaps even active participation in an unseen scene.
The setting appears to be a richly appointed interior space. A marble-topped table stands to his left, laden with papers and what seems to be a navigational chart or map – a detail that might allude to involvement in trade, exploration, or governance. A sculpted bust of a classical figure is placed on a pedestal behind the gentleman, hinting at an appreciation for art and learning, as well as potentially referencing ideals of virtue and leadership. To his right, a heavily draped chair suggests comfort and leisure, while beyond it, a landscape view – possibly depicting a grand architectural structure or cityscape – is visible through a window, implying access to power and influence.
The color palette is dominated by the striking red of the coat, contrasted against the darker tones of the background and furnishings. The use of light is carefully orchestrated; it illuminates the gentleman’s face and attire, drawing attention to his presence while casting areas of shadow that add depth and complexity to the scene.
Subtly, the painting conveys a narrative beyond mere portraiture. The combination of formal dress, scholarly objects, and expansive view suggests a man of considerable standing – a figure engaged in matters of importance and possessing both intellectual curiosity and worldly power. The gesture towards an unseen point implies active involvement rather than passive observation, reinforcing his role as a participant in the events unfolding around him.