Anna Katarina Boberg – Svolvaer Harbour at the Height of the Fishing Season.Study from Lofoten
1934.
Location: National Museum (Nationalmuseum), Stockholm.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The harbor itself occupies the lower portion of the canvas. Numerous small boats, densely packed together, fill the water’s surface. Their masts create a forest-like effect, emphasizing their sheer number and the scale of the fishing operation taking place. The water reflects the sky and surrounding landscape, blurring the distinction between foreground and background and creating a sense of atmospheric depth.
The brushwork is loose and expressive; short, choppy strokes are used to depict both the mountains and the boats, conveying a feeling of movement and energy. There’s an immediacy in the application of paint that suggests the artist was attempting to capture a fleeting moment – the height of the fishing season. The scene isnt presented as idyllic or picturesque. Instead, it conveys a sense of industry, hardship, and the overwhelming power of nature.
Subtexts within the work hint at themes of human resilience in the face of challenging environmental conditions. The sheer number of boats suggests an economy entirely dependent on the sea’s bounty, while the imposing mountains serve as a constant reminder of the forces beyond human control. Theres a quiet dignity to the scene; it doesnt romanticize the labor but acknowledges its importance and the inherent connection between people and their environment. The dark border framing the image further isolates the scene, reinforcing the feeling of remoteness and emphasizing the self-contained nature of this coastal community.