At the end of winter Efim Volkov (1844-1920)

The canvas presents a landscape transitioning between seasons, specifically capturing the moment when winters grip begins to loosen. Here we see a marshy area, partially covered with melting snow and ice. A small stream winds its way through the scene, reflecting the muted light of an overcast sky. The foreground is dominated by dry grasses and reeds, their brown hues contrasting sharply with the patches of white remaining on the ground.
A cluster of evergreen trees stands prominently to the left, their dark green foliage providing a visual anchor amidst the lighter tones that prevail elsewhere. Several bare-branched deciduous trees are scattered throughout the composition, some still retaining traces of winters frost. These skeletal forms contribute to a sense of dormancy and quietude. In the middle ground, a solitary figure is discernible, seemingly observing the landscape – a subtle indication of human presence within this natural setting.
The artist employed a muted palette, relying heavily on browns, grays, whites, and pale greens. This restricted color range reinforces the atmosphere of transition and melancholy associated with late winter. The brushwork appears loose and textured, particularly in the depiction of the grasses and foliage, lending a sense of immediacy to the scene.
Subtly, the painting conveys themes of renewal and hope. While the landscape remains stark and somewhat desolate, the melting snow and emerging vegetation suggest the promise of springs arrival. The solitary figure adds an element of contemplation, inviting viewers to reflect on the cyclical nature of time and the enduring power of the natural world. There is a quiet dignity in this depiction of a moment poised between endings and beginnings – a visual meditation on the passage of seasons and the resilience of life.