Jean Honore Fragonard – The Progress of Love: Love Letters
1771-72. 317.2 x 216.9
Location: Frick Collection, New York.
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Beneath them, a small dog rests, adding a touch of domesticity to the scene. The background is a profusion of dark, dramatic foliage and a sky with luminous clouds, creating a sense of seclusion and intimacy. To the right, a classical statue of a woman with a cherub suggests permanence and perhaps an idealized love, contrasted with the fleeting moment captured. A parasol rests nearby, hinting at the pleasure and leisure of their outdoor encounter.
The subtexts in this painting are rich and layered. The act of reading a love letter is a direct symbol of communication, affection, and the unfolding of romance. The intimate setting, a secluded corner of a beautiful garden, speaks to privacy and the blossoming of love away from the public eye. The presence of the classical statue can be interpreted as a commentary on timeless ideals of love and beauty, while the cherub might allude to Cupid, the god of love, overseeing the couples burgeoning affection. The overall atmosphere is one of Rococo elegance, emphasizing grace, charm, and the delights of courtship. The painting beautifully captures a moment of shared emotion and burgeoning desire, making it a celebration of loves tender beginnings.