Sir Richard Steele, Knight Sir Godfrey Kneller (1646-1723)

The engraving presents a gentleman in a three-quarter portrait format. He is positioned slightly off-center, facing towards the viewer but with his gaze directed just beyond the frame. The subjects expression appears thoughtful, perhaps even melancholic; there is a certain gravity conveyed through the downturned corners of his mouth and the subtle furrowing of his brow.
The artist has rendered considerable attention to detail in depicting the man’s elaborate hairstyle. A voluminous cascade of curls frames his face, meticulously etched to suggest both texture and volume. The hair falls across his shoulders, partially obscuring the upper portion of his garment. This garment itself appears to be a coat or waistcoat, with visible buttons and a suggestion of fabric folds that indicate its form.
The subject’s left hand rests casually on what seems to be a draped cloth, possibly part of his attire or a prop. The placement of the hand contributes to an impression of relaxed authority rather than overt display. The background is plain, devoid of any distracting elements, which directs focus entirely onto the individual portrayed.
The inscription at the bottom identifies him as Sir Richard Steele, Knight, providing context for his elevated status and likely indicating a commissioned portrait intended to commemorate or celebrate this distinction. The inclusion of “Knight” suggests an association with nobility or service to the crown.
Subtly, the engraving conveys a sense of intellectualism and perhaps a degree of introspection. The man’s attire is indicative of a certain social standing, but it is his expression that truly defines the portrait – hinting at a complex inner life beyond mere outward presentation. The overall effect is one of dignified reserve, suggesting a person of considerable character and possibly burdened by responsibility.