Thomas Holles Pelham, Duke of Newcastle Sir Godfrey Kneller (1646-1723)

Here we observe a portrait rendered in monochrome engraving, depicting a gentleman seated and turned slightly towards the viewers left. The subject is positioned against a backdrop that suggests a chair with elaborate detailing, its design echoing the formality of the period. He wears an opulent coat adorned with intricate embroidery, indicative of his high social standing. A voluminous wig, characteristic of 18th-century fashion, frames his face and cascades down his shoulders.
The gentleman holds a bottle and a goblet in his hands, presented as if offering them to the observer. This gesture could be interpreted as an invitation to partake, symbolizing hospitality or perhaps even a subtle assertion of power through generosity. The careful rendering of the glass suggests attention to detail and refinement, qualities associated with the elite.
Below the image, inscribed text identifies the individual as T. Holles Pelham and designates him as “Duke of Newcastle.” A coat of arms is displayed between these names, further reinforcing his noble status and lineage.
The overall composition conveys a sense of authority and dignity. The artist employed chiaroscuro techniques to model the subjects features and clothing, creating depth and emphasizing his presence. The stark contrast between light and shadow contributes to an air of solemnity and gravitas. The portrait’s formal pose and meticulous detailing suggest it was intended as a statement of status and legacy – a visual declaration of belonging to the upper echelons of society.