Portrait of Thomas Tompion Sir Godfrey Kneller (1646-1723)

The engraving presents a gentleman in a three-quarter pose within an oval frame. He is depicted from the chest upwards, his gaze directed towards the viewer with a measured expression. The artist has rendered him with meticulous attention to detail, particularly evident in the rendering of his elaborate wig, which cascades around his shoulders in carefully defined curls. His attire consists of a dark coat and a white cravat, suggesting a position of some social standing.
The man holds an object in his left hand; it appears to be a complex mechanism or device, possibly a pocket watch or a miniature clockwork apparatus. The detail here is significant – the intricate workings are suggested through careful shading and line work, hinting at the subject’s expertise or profession involving precision engineering. His right hand rests gently upon this object, conveying a sense of control and mastery over it.
Below the portrait, an inscription identifies him as Automatopous, a term suggesting self-making or automatic creation – a deliberate association with mechanical ingenuity. The script is elegant and formal, reinforcing the subjects status and the gravity of his accomplishments.
The overall effect is one of dignified composure and intellectual prowess. The use of monochrome lends a sense of formality and timelessness to the image. The artist has chosen to emphasize the man’s face and hands, drawing attention to his intelligence and skill. The oval frame isolates him from any background context, focusing solely on his persona and profession. It is likely intended as a testament to an individual who embodies innovation and technical expertise within his era.