Portrait of Queen Mary II of England, Scotland and Ireland Sir Godfrey Kneller (1646-1723)

Here we see a portrait rendered in engraving, presenting a woman of apparent high status. The composition is formal and restrained, adhering to conventions of royal or aristocratic portraiture. She is depicted from the chest up, turned slightly towards the viewer, her gaze directed forward with an expression that appears both dignified and somewhat melancholic.
The artist has employed meticulous cross-hatching to create tonal variation and detail. The texture of the hair, elaborately styled in a fashionable coiffure, is rendered with considerable skill, as are the folds of the rich fabric draped across her shoulders. This garment, heavily adorned with what appear to be jewels or embroidery, reinforces her elevated position. A delicate string of pearls encircles her neck, adding another layer of opulence and refinement.
The portrait’s framing within an oval creates a sense of containment and emphasizes the subjects presence. The background is plain, drawing all attention to the woman herself. This simplicity serves to highlight her features and the details of her attire.
Beyond the surface representation, there are subtle subtexts at play. The slightly downturned mouth and the overall somberness of the expression suggest a depth of feeling that transcends mere formality. It hints at burdens or responsibilities associated with her role. The engraving technique itself lends a sense of gravity and permanence to the image, suggesting an intention to create a lasting record of this individuals likeness and status.
The inscription below identifies her as Reine d’Angleterre, further solidifying her position within a specific historical context. This identification is crucial for understanding the portrait’s purpose: not merely as a representation of a person, but as an assertion of power and legitimacy.