Portrait of Thomas Burnet Sir Godfrey Kneller (1646-1723)

The engraving presents a bust-length portrait of a man set against a dark background. He is depicted from the chest up, facing slightly towards the viewers left. The subjects expression is serious and contemplative; his gaze appears directed beyond the frame, suggesting introspection or perhaps a distant concern.
Here we see a gentleman with abundant, elaborately styled hair that curls around his face and shoulders. His attire consists of a dark robe or gown, indicative of an academic or ecclesiastical position. The fabric falls in soft folds, adding depth to the composition. A high, stiff collar frames his neck, contributing to the formality of the presentation.
The portrait is encased within an oval frame embellished with intricate scrollwork and foliage. Below the central image sits a smaller shield bearing what appears to be a coat of arms, signifying lineage or institutional affiliation. The presence of this heraldic symbol reinforces the subject’s status and connection to established authority. Inscriptions are placed at various points: one identifies the engraver (G. Kneller Pinxt.), another the sculptor (B. White Sculpt.), and a third provides a name and title (“Thomas Burnet – Master of Charterhouse”).
The engravings tonal range is limited, relying on variations in line density to create form and shadow. This technique lends a sense of gravitas and timelessness to the image. The overall effect conveys an impression of intellectual authority, dignity, and established social standing. It’s likely intended as a formal record of a person of importance within a specific institution or societal structure.