Adam Elsheimer (after) – San Gerolamo and an angel in a landscape with the miraculous catch of fish
1600-1610
Location: Academy Carrara (Accademia Carrara), Bergamo.
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The landscape forms a significant backdrop. To the right, a river winds through a lush, verdant terrain, populated with trees and distant structures that suggest a settlement or town. A small boat carrying several individuals is visible on the water, engaged in what appears to be a miraculous event – a large number of fish are being gathered into the vessel. This element introduces an overt narrative layer, hinting at divine intervention and abundance.
The artist’s use of light reinforces the thematic divisions within the painting. The foreground figures are illuminated with a soft, diffused glow, drawing attention to their contemplative interaction. In contrast, the landscape is bathed in a cooler, more atmospheric light, creating depth and distance. This interplay of illumination serves to separate the spiritual or intellectual realm from the tangible world.
The presence of the lion, typically associated with Christ’s dominion and strength, adds another layer of symbolic complexity. Its docile posture suggests submission to divine authority and perhaps represents the taming of primal instincts through faith and knowledge. The angels proximity to the seated figure implies a relationship between spiritual guidance and intellectual pursuit.
The overall effect is one of quiet contemplation interwoven with an underlying narrative of divine grace. The scene evokes themes of piety, learning, and the miraculous, suggesting a moment of revelation or profound understanding facilitated by both earthly and celestial forces. The composition’s structure encourages viewers to consider the interplay between human endeavor, spiritual guidance, and the intervention of the divine in everyday life.