John Roddam Spencer Stanhope – Stanhope John Roddam Spencer The White Rabbit
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Behind her stretches a landscape dominated by autumnal hues – browns, yellows, and muted greens – suggesting a time of transition and perhaps decline. A body of water reflects the surrounding foliage, creating a doubled perspective that enhances the feeling of depth and stillness. Several structures are visible in the distance; they appear to be dwellings or farm buildings, hinting at human presence but maintaining a sense of remoteness. The architecture is somewhat indistinct, contributing to an overall atmosphere of timelessness.
The titular element – a white rabbit – is strategically placed within the composition. One appears close to the woman, while another is further away near the waters edge. The rabbit’s whiteness stands out against the earthy tones of the landscape, drawing immediate attention and acting as a focal point. Its presence introduces an element of folklore or fairytale; rabbits are often associated with transformation, innocence, and hidden pathways.
The painting evokes a mood that is both serene and subtly unsettling. While the scene depicts a tranquil rural setting, theres a certain sadness conveyed through the woman’s posture and the muted color palette. The rabbit, as a symbol of potential change or unseen forces, adds an undercurrent of mystery. It suggests that beneath the surface of this idyllic landscape lies something more complex and perhaps even elusive. The artist seems to be exploring themes of innocence, observation, and the quiet contemplation of natures cycles – a moment suspended between beauty and melancholy.