Bourdon, Sebastien – Jacob buries the idols in the land of Shechem under an oak tree Hermitage ~ part 02

The composition depicts a scene unfolding within a landscape dominated by verdant foliage and a diffused light source emanating from the center. A group of figures is arranged around what appears to be a stone altar or monument, positioned prominently in the middle ground. The central figure, an elderly man with flowing white hair and beard, stands upright, his hands extended towards a younger woman clad in blue robes. He seems to be guiding her, perhaps offering reassurance or blessing.
To his left, a kneeling figure, dressed in ochre garments, is actively engaged in burying objects beneath the monument. These objects are partially obscured but appear to be cylindrical and draped with cloth, suggesting they represent idols or sacred artifacts being concealed. The act of burial conveys a sense of deliberate suppression or rejection of previous beliefs.
Several other individuals populate the scene; some observe from behind the altar, their expressions unreadable, while others tend to livestock – sheep and cattle are present in the foreground, adding a pastoral element to the narrative. A young boy stands apart on the left edge, seemingly detached from the central action, his gaze directed towards an unseen point beyond the frame.
The light source, positioned directly behind the altar, creates a dramatic effect, illuminating the figures closest to it while casting the surrounding landscape in shadow. This contrast emphasizes the significance of the event taking place and draws attention to the individuals involved. The use of color is restrained; earthy tones dominate, punctuated by the vibrant blue of the woman’s robes, which serves as a focal point within the composition.
Subtleties within the painting suggest deeper meanings. The act of burying the idols can be interpreted as a symbolic representation of religious conversion or the rejection of pagan practices in favor of monotheism. The presence of livestock hints at themes of pastoral life and divine providence, while the young boy’s isolation might symbolize innocence or a future generation untainted by the old ways. The womans posture and expression suggest submission to the authority of the older man, possibly representing obedience to religious doctrine or patriarchal structures. Overall, the work conveys a narrative of transition and transformation, exploring themes of faith, tradition, and societal change within a carefully constructed visual framework.