Spinello Aretino – St. Julianus Murdering his Parents
34×39
Location: National Museum (Nationalmuseum), Stockholm.
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The parents, seemingly resigned to their fate, are rendered with expressions that suggest a mixture of pain and acceptance. Their faces are pale, framed by white head coverings, emphasizing their vulnerability in this violent encounter. The young man’s posture conveys a sense of grim determination; his red garment stands out against the muted tones of the room, drawing immediate attention to his role as the perpetrator.
A figure is partially visible on the left side of the frame, observing the event from an arched doorway. This individuals presence introduces a layer of voyeurism and potentially signifies witness or divine intervention. The architectural setting – the archway, the decorative molding around the scene – suggests a deliberate staging of the tragedy, elevating it beyond a simple act of violence into something symbolic and perhaps ritualistic.
The use of gold leaf on the upper portion of the frame creates an ethereal quality, contrasting with the brutal realism of the central action. This juxtaposition might be interpreted as highlighting the conflict between earthly suffering and spiritual salvation. The scenes subtexts likely revolve around themes of filial piety, sacrifice, and the complexities of religious obedience. The act itself, though horrific, is presented within a framework that implies a higher purpose or divine mandate, prompting reflection on the nature of morality and the potential for violence even in those deemed holy.