Silvester Shedrin – Terrace in Sorrento
1825. 29.7×40.5
Location: The State Tretyakov Gallery, Moscow (Государственная Третьяковская галерея).
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Within this enclosed space, three figures are arranged. A young man seated on the edge of the terrace plays a stringed instrument – likely a mandolin or similar folk instrument – facing a woman standing nearby. Her posture suggests attentiveness, though her gaze is directed slightly away from him, hinting at a complex dynamic between them. A third boy stands further back, observing the pair with an air of quiet contemplation. His position and stance suggest he might be a younger sibling or a servant.
The terrace itself appears to be part of a larger structure, evidenced by the stone walls visible on either side. These walls are adorned with potted plants – a palm and what seems to be a flowering shrub – adding further touches of domesticity and cultivation. A collection of earthenware jugs and baskets filled with fruit is placed at the base of the wall, reinforcing the impression of a leisurely, agrarian existence.
The landscape visible beyond the terrace is characterized by rolling hills covered in lush vegetation. The distant horizon line is softened by atmospheric perspective, creating a sense of depth and vastness. A hint of the sea can be discerned on the far left, suggesting proximity to the coast.
Subtly, the painting conveys an atmosphere of tranquility and idyllic beauty. The scene evokes notions of rural life, tradition, and perhaps even nostalgia for a simpler existence. The figures’ attire – the womans modest dress and the mens traditional garments – further reinforces this sense of cultural identity and rootedness in place. The interplay of light and shadow contributes to the overall mood, enhancing the feeling of warmth and serenity that permeates the composition. There is an underlying suggestion of a moment captured – a fleeting glimpse into the everyday lives of people inhabiting this picturesque locale.