George Price Boyce – Brickfield at Pitland Street, Surrey
black lead, watercolour and bodycolour on paper
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The focal point lies mid-ground: a large, conical structure emitting a plume of smoke. This building, likely a kiln used for brick production, is surrounded by smaller structures – sheds and workshops – indicative of an active industrial site. The architecture appears utilitarian, constructed from rough-hewn timber and brick, blending somewhat awkwardly with the natural surroundings. A cluster of dwellings can be discerned behind the kilns, suggesting a small community associated with the industry.
The artist’s use of light is noteworthy. The sky occupies a significant portion of the canvas, its pale coloration contributing to an overall sense of tranquility despite the presence of industrial elements. The diffused light softens the edges of forms and creates a hazy atmosphere, diminishing the harshness often associated with manufacturing processes.
Subtly embedded within this seemingly idyllic view is a commentary on the encroachment of industry upon rural landscapes. While the scene appears peaceful, the kiln’s smoke serves as a visual reminder of human intervention in nature. The juxtaposition of pastoral beauty and industrial activity raises questions about progress, labor, and the changing character of the countryside. The painting doesnt offer explicit judgment; instead, it presents an observation – a record of a specific place and time where industry and agriculture coexist, prompting reflection on their relationship.
The artist’s technique is characterized by a delicate handling of watercolor, allowing for transparency and subtle gradations of tone. This approach lends the scene a sense of immediacy and captures the fleeting qualities of light and atmosphere.